SELECTED FILM & VIDEO

TEXT

NEWS

BIO

DISTRIBUTION

ATLANTROPA

COLLABORATION

ESPERI

FALLING LEAVES

JARMARK EUROPA

MONUMENT

PASSAGE

SIN PAPELES

UNITE D'HABITATION

ZUBR

The visual language established in Stevens' work presents the audience with critical yet often poetic forms in film, video and photography. Recurrent themes connect visual codes of landscape, borders and migration with more orthodox forms of documentation and reportage such as journalism and political dogma.

His short films have been exhibited internationally including the Whitechapel Gallery, 10th Istanbul Biennial, Tapei Museum of Modern Art, Serpentine Cinema, OVNI, Barcelona and Frieze film. His most recent film Atlantropa commissioned by Film London won Best False Fiction Jury Award at the Ann Arbor Film Festival 2010. Stevens has also contributed to various publications such as Fresh Moves (Thames & Hudson) and Eight Metaphors (Lux) and has published two limited DVD/Book sets When I Sit Down to Write and Three Films on Language.

 

 

 

Samuel Stevens, Sin Papeles, 2005 (film still) Samuel Stevens, Sin Papeles, 2005 (film still)
Samuel Stevens, Sin Papeles, 2005 (film still) Samuel Stevens, Sin Papeles, 2005 (film still)
Sin Papeles, 10' 51'', 16mm, Barcelona, 2005
Sin Papeles tells the story of the of a hunger strike staged by migrant workers, without papers (sin papeles), in a small church in Barcelona by bringing together a sound recording of its climax made in March 2001 and film footage of the location shot four years later to the day. The subjective account of the event made by the artist in the form of a sub-titled narration is a process of personal reflection de-objectifying the subject of migration for the purpose of work, displacement and social order. The film is a reflection on the implications and realities of the aspects of the EU project that have created a fortress of Europe.