SELECTED FILM & VIDEO

TEXT

NEWS

BIO

DISTRIBUTION

ATLANTROPA

COLLABORATION

ESPERI

FALLING LEAVES

JARMARK EUROPA

MONUMENT

PASSAGE

SIN PAPELES

UNITE D'HABITATION

ZUBR

The visual language established in Stevens' work presents the audience with critical yet often poetic forms in film, video and photography. Recurrent themes connect visual codes of landscape, borders and migration with more orthodox forms of documentation and reportage such as journalism and political dogma.

His short films have been exhibited internationally including the Whitechapel Gallery, 10th Istanbul Biennial, Tapei Museum of Modern Art, Serpentine Cinema, OVNI, Barcelona and Frieze film. His most recent film Atlantropa commissioned by Film London won Best False Fiction Jury Award at the Ann Arbor Film Festival 2010. Stevens has also contributed to various publications such as Fresh Moves (Thames & Hudson) and Eight Metaphors (Lux) and has published two limited DVD/Book sets When I Sit Down to Write and Three Films on Language.

 

 

 

  Samuel Stevens, Zubr (film still) Samuel Stevens, Zubr (film still)
  Samuel Stevens, Zubr (film still) Samuel Stevens, Zubr (film still)
Zubr, 14'17, 16mm/DV, 2006
This work is set in and around the primeval Bialowieska Forest and questions the artifice of nature by comparing the re-introduction of the Zubr, the European Bison, with the demise of the Belarussian language. The narrative of the film relates issues such as the Russification of Belarus, the logging of the world heritage site since the accession of Poland into the EU and the passing of the Belarussian Civil Youth movement that shares the name Zubr, through personal accounts and news paper headlines and quotes.